***This article is full of spoilers (and mild violence), so figure out your priorities and get back to us***
Did you scream into a pillow last Sunday when Cersei wasn’t burned alive by dragon fire, but instead died somewhat peacefully in the arms of her lover-brother? Did you have a huge WTF moment with Daenerys when she ignored the bells of surrender and instead replaced them with the cries of the innocents she had always vowed to protect? Do you feel like, at this point, you could’ve written a better final season of GoT?
We feel the same. So much so that we consulted former Pixar storyteller Matthew Luhn to figure out what exactly GoT got wrong. After years of helping create stories for Pixar that touched our hearts, like Toy Story, Up, Finding Nemo, Monsters Inc., and more, Luhn has storytelling down to a science. According to his tips for creating engaging and meaningful stories, we’ve pinpoint exactly how the writers of season 8 tragically messed up.
Forced character transformation
Every good story needs character transformation to mirror real human emotions and growth and connect you to them. This last season has been rushed. The writers need to wrap things up with a pretty bow and that means putting one hero on top. Up until last week there were two–Daenerys and Jon Snow–so one had to go. They did this by making Dany go crazy and fall to the villainy she had been fighting against all along.
But Dany has seen hardship before. She lost her husband and unborn child in Season 1, but this just empowered and drove her to further her cause as the “breaker of chains.”
In Season 8, we’ve seen Dany become extremely isolated after the death of her closest friends, Jorah and Missandei, the betrayal of one of her closest advisors, Lord Varys, and the truth bomb of her love-interest-turned-rival-for-the-Iron-Throne, Jon Snow. This isolation, much like the rest of this season, feels rushed. How has our greatest hope for peace, our “breaker of chains,” suddenly developed into the “Mad Queen” in a matter of a couple of episodes?
The transformation in character arc isn’t the issue, it’s that it’s been rushed to the point where it doesn’t feel believable. We’ve spent the last ten years watching Daenerys transform into the queen we believed was best fit to dethrone the evil that is the Lannister family and inspire hope throughout the kingdom. How are we expected to believe she loses all sense of purpose and all sanity because of the death of her friend and dragon? It feels forced and unbelievable.
While this was the most glaring transformational faux-pas, we could say the same happened with Cersei, when she first surrenders and then runs, Arya, when she abruptly abandons her pursuit of revenge that can be traced back to Season 1 when the Lannisters unjustly killed her father, and Jaime, when he completely turns on the character arc the writers had nurtured for ten years and finally climaxed with his love for Brienne of Tarth, only to succumb to being “hateful”.
Personal connections to the characters were severed
For the audience to care about the plot, they must be invested in the characters. We’ve obsessed over the show for almost a decade now because of our original investment into the lives of each character. With the forced transformation, we lose all connection to the characters. Everything we thought we knew about them and what defined them down to their cores was lost in the writers’ speedy attempts to finish off the series.
We don’t feel a connection to Dany because we don’t believe in her transformation and cannot follow the line of logic that drove her to madness. We also had high aspirations for Jamie, developed through the last six seasons of slow transformation into what we believed was a noble man, only to see him turn his back on it all to crawl back to his twin, the mother of his children, and his biggest flaw.
There’s no strong hero to root for
Are you impressed with Jon Snow’s weak-willed approach to battle, the throne, or doing the “right” thing? We sure aren’t. He and Arya are clearly the heroes we’re supposed to root for at this point. Jon has been so passive and weak it’s hard to stand behind him.
He allowed Dany to slaughter thousands of innocents because…he loved her? We aren’t even really sure at this point. Upon learning the love of his life is actually his aunt, he seems put off. Despite all this, he pledges undying devotion to her as his queen, only to scorn her love. If Jon maybe had an ounce of emotional intelligence, we could have avoided turning King’s Landing into a massive bonfire. Sacrificing tens of thousands for one hardly sounds like a real leader.
Arya slaying of the Night King definitely gave her some credibility, but the vagueness around how she managed to do it disconnects the audience from the actual feat. It leaves us feeling like we’re being lied to and asked to just trust them on the fact she’s the hero.
Part of telling a great story is finishing it with the promise to see the theme through to the end. Two of the biggest disappointments were Cersei’s not totally horrific death and Jaime’s apparent character regression at the time of his death. We wanted to see Cersei’s eyes pop out of her head King Joffrey style or suffer a fate similar to the Viper in Season 4 (the only scene in 71 episodes that the team agrees can be skipped while re-bingeing). We needed the writers to give Jaime a death that mattered…to someone other than his hateful sister.
Another massive letdown was the defeat of the Night King. After years of fan theories and narratives created around who the Night King may be and what his true purpose is, the story is over in one (long, dark) battle scene. It turns out he’s just some random dead guy who expires without a single line of dialogue. Big bummer.
The audience felt shorted, like they were promised big things and GoT just couldn’t deliver. Who knows, maybe the writers can manage to somehow salvage the season this coming Sunday, but at this point it doesn’t look hopeful.
Jessica Welch is the Content Marketing Associate at BigSpeak Speakers Bureau, holding a Bachelor’s Degree in English Literature and Anthropology from California Polytechnic State University, San Luis Obispo. Her business thought articles often appear on Business 2 Community, Born 2 Invest, and YF Entrepreneurs.